Flora
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
You may like
The Perfect Gentleman
Nune
Going Alone
The Attendant
Bliss
Touch
Bang Shot
BLUE
The Magic of Flight
Plum
Treehouse
Contact Hours
It Takes Balls
Jorge
Joker: Put on a Happy Face
Seduced and Abandoned
Spider-Man: All Roads Lead to No Way Home
Gringo: The Dangerous Life of John McAfee
Wormwood
Being James Bond
Aquaman: Heroines of Atlantis
All That Breathes
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
The Class of ‘92