

Polar Life
Cinema Expo 67
Polar Life’s novelty was its theatre, with the audience seated on a central rotating turntable in the middle of eleven fixed screens. Viewers have described the intricate juxtaposition of screen images and narration and the complex relationship created between moving spectators and multiple screens. Documentation images and scripts of the bilingual narration by Lise Payette and Patrick Watson show elaborate temporal and spatial representations of the Arctic and Antarctic regions: the Inuit in daily activities in the Canadian North; other northern peoples of Alaska, Lapland, and Siberia; and settlers from the South, scientists, explorers, and other inhabitants of the landscape, including reindeer, bears, and birds. Archival film footage of early northern explorers, combined with newly shot documentary footage, was edited across the various screens to create spatial relationships that are sometimes coherent, sometimes fragmented.
You may like

Glenn Gould: Extasis

Nanook of the North

Lost Heroes

Bowling for Columbine

The Royal Visit

Canada Mania

Home Front

In a Film by Allan King

A Greater Chance

The White Stripes: Under Great White Northern Lights

NiiSoTeWak: Two Bodies, One Heart

Cirque du Soleil: La Magie Continue

The Corporation

Festival Express

The Whale and the Raven

Jordan River Anderson, The Messenger

The Good Canadian

There's Something in the Water

Sherman's March

The Class of ‘92

Naqoyqatsi

Capital in the Twenty-First Century

Sidney

180° South