
Les héritiers
Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.
You may like

New York Portrait, Chapter III

Berlin: Symphony of a Great City

Where do I Belong

Evicted City

Pussy Riot: Rage Against Putin

Train Entering Hove Station

Inside Chernobyl with Ben Fogle

Harmonium in California

New York Portrait, Chapter II

Visions of Lourdes

Finlandia

SAQ : 100 ans d’histoire

Maya, la tigresse du Maharashtra

La bataille de Rabaska

Le fantôme de Mirabel

L'Homme de Rio - A vida loca

P!nk: All I Know So Far

The Great Blue Heron

Girl Model

Seduced and Abandoned

Daguerréotypes

Women Reply

In the Realms of the Unreal

McQueen